SIGNA(ture) – The Power of the Artistic
Mirko Sebić
54th Venice Biennale of Contemporary Art, Pavilion Serbia – a Place of Utopia
Živko Grozdanić
Raša Todosijević, Živko Grozdanić: Thank you, Raša Todosijević – a Grateful Serbia
Danijela Halda
The Ideology of Exhibitions – The Policy of Curators’ Practices and State Apparatuses
Miško Šuvaković
Venice Biennale and Vojvodinian Modern Art
Sava Stepanov
Nagy József: Clay/Dirt Dancer
Mirko Sebić
Vegel Laszlo: The Future is My Compass, the Past is My Whip
Gordana Draganić Nonin
Aleksandra Vrebalov: Stations of the Cross
Adrian Kranjčević and Mirko Sebić
Urban Andras: Theatre is the Poetry of Reality
Tijana Delić
Branka Parlić: Artistic Audacity in Action
Adrian Kranjčević
Jasna Đuričić: Body is My Instrument
Tijana Delić
Želimir Žilnik: From Communism to Capitalism and Back via the Fortress “Europe”
Mirko Sebić
Ladik Katalin: Living in the Sign of Scream
Danijela Halda
Boris Kovač: The Greatest Art is Being a Happy Man
Gordana Draganić Nonin
Lajkó Félix: Southern Wind on the Danube
Mirko Sebić
